Priestess Training with Z Budapest in Woodstock NY

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DIANIC PRIESTESS TRAINING AND TAROT SOCIAL WITH Z BUDAPEST

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Susun Weed interviews Z Budapest – Mother of Feminist Spirituality & Author of The Holy Book of Women’s Mysteriess
~ 30 minutes Wise Woman Radio ~
listen on-demand or download MP3

MP3 File

Join Z Budapest at the Wise Woman Center on April 23-25, 2010 in Woodstock NY for a Priestess Training & Divination intensive you will not forget. This year Z Budapest rolls up her sleeves to teach the importance of Divination in Women’s Spirituality!

Z calls it a Tarot Social Intensive weekend; a new and inspired way of consulting the Fates and each other as priestesses.

It matters not whether you are an advanced seeker or a beginner with a fresh new deck, this Goddess weekend is devoted to study and first-hand experiences of the Tarot’s wisdoms.

Goddess women, sister priestesses, women who love the earth … come share and learn from Z, the wise woman who legalized Tarot Reading and all forms of Divination and Prophecy in this country. She fought for the rights of all women to legally counsel each other using the tool of the Fates and our own innate psychic abilities. If you’ve wanted to tap into your own abilities, now is the time!

Intensely personal, always political, Z Budapest uses her humor and sharp wit to share stories of women using the Tarot to heal their sisters. She will lead you on an inner journey that will bring you face-to-face with the power of the Fates through the Tarot.

Day One we will get to know each other a little, but wasting no time we jump right into the Tarot. Bring your Tarot decks if you have them; don’t worry if you don’t. We will look at all of these decks and Z will show you insights that will help you to know the true tools of the psychic Tarot Reader. The day ends with women’s ritual and the summoning of the Fates and the Goddess Binah.

Day Two we gather in the morning and begin again and this time the journey is an amazing one of personal introspection as each woman gets her cards read by Z personally while the priestesses hold sacred space for her.

There are tears. There is laughter. There are insights into yourself as the Fates whisper into Z’s ear what they want Z to tell you. And again, we end the day with a deeply personal women’s ritual; seeing each other for the Goddess women we are. We are a sisterhood.

Day Three bring pen and paper because you’re going to participate in a most unusual activity that tweak your perceptions of what Tarot Reading is and how it applies to our daily lives.

Then, we come together as kindred sister spirits and close our weekend together in ritual know we are more connected and loved for having gone through this Tarot Social experience together.

Z Budapest is traveling the east coast on the Blue Stockings tour, visiting the homes of such suffragette foremothers as Susan B. Anthony, Elizabeth Cady Stanton, and Matilda Jocelyn Gage whose works have paved the road to the modern Women’s Spirituality Movement … all guided by the Fates.

Register here This three day intensive is taught at the Wise Woman Center in Woodstock NY.

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A women’s spirituality classic is now back in print!

The Holy Book of Women’s Mysteries by Z Budapest is essential for Pagans, feminists, and women seeking to learn more about the spiritual path as it relates to the feminine and the Goddess aspects of witchcraft and Wicca.
More About Z Budapest

Zsuzsanna Emese Budapest was born in Budapest, Hungary, during a big winter storm on January 30, 1940.

Her mother, Masika Szilagyi, was a medium and a practicing witch who supported herself and her daughter with her art, as a sculptress. Masika’s themes always celebrated the Triple Goddess and the Fates, and Zsuzsanna (“Z”) grew up respecting and appreciating Mother Nature as a god.

The poverty of postwar Europe and political oppression under the Russian occupation made Z fiercely political, so when the Hungarian Revolution broke out in 1956, she took her destiny into her own hands and became one of those sixty-five thousand political refugees who left the country, mostly young workers and students like herself. She finished high school in Innsbruck, graduated from a bilingual gymnasium, and won a scholarship to the University of Vienna where she studied languages.

Pix-zphoto150 Z emigrated to the United States in 1959, became a student at the University of Chicago, married, and gave birth to two sons. In Chicago she studied with Second City, an improvisational theatrical school, the only one in the country at that time. Her family’s spiritual tradition, however, started seeping back into her life, and she practiced solo worship of the Goddess at her home altar in her backyard. When she entered her Saturn cycle at the age of thirty, she became involved with the women’s liberation movement in Los Angeles and became an activist herself, staffing the Women’s Center there for many years.

There she recognized a need for a spiritual dimension so far lacking in the feminist movement and started the women’s spirituality movement. She founded the Susan B. Anthony Coven Number l, the first feminist witches’ coven, which became the role model for thousands of other spiritual groups being born and spreading across the nation. She wrote The Holy Book of Women’s Mysteries (Wingbow Publishers, 1989) which was originally published in 1975 as The Feminist Book of Lights and Shadows. This book served as the first hands-on book to lead women into their own spiritual/Goddess heritage.

Z was arrested in 1975 for reading Tarot cards to an undercover policewoman. She lost the trial but won the issue, and the law against psychics was struck down nine years later. Z has led rituals, lectured, taught classes, given workshops, written articles tirelessly, and published in hundreds of women’s newspapers across the country. She has powerfully influenced many of the future teachers and writers about the Goddess. Join Z Budapest at the Wise Woman Center on April 23-25, 2010 in Woodstock NY for a Priestess Training & Divination intensive.

Susun Weed interviews Z Budapest -
30 minutes Wise Woman Radio
- listen on-demand or download MP3

MP3 File
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Cultural Whores No More … Chick Flick Power Arise!

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I don’t know about you but I am bored out of my mind with the images we get fed from movies and television. I am bored looking at hardware chases, sweaty male faces and guns spewing forth bullets, (hardly ever hitting their target, except the end), running around trying to SAVE the world from other males who are equally out of control. Die Harder, Rambo 7, Lethal Weapon 5, and its spawn ad nausea. Interchangeable movies with each other drone on. Clearly Hollywood loves males with a passion, treats females as marginal, and treats female writers/directors with exclusion and contempt.

Why is it that male executives who make programming decisions want purposefully to make movies for other men rather than women??? Because they don’t have to. They say “women go see anything” with a date. In other words women are cultural whores. We sit through, bored, or are insulted by the content, we allow the movies to portray us as marginal humans (one female part to ten male roles ), we pay our good chick dollars , hold our noses and go see movies that we just don’t like at all because we are women, we go with the male tide. Who me? Am I to complain about no entertainment for more then half of humanity? No problem as long as we are on a date. This is how we are seen. Powerless cultural whores who will see any crap the males churn out. I want to change that within my lifetime.

Chick Flicks Versus Dick Flicks

Supposedly males will not go see the ‘chick flicks.’ On a date somehow they will resist going to see a movie where feelings are featured, women’s feelings especially. Chick flicks are defined as having to do with feelings and relationships, maybe even a little crying is involved. Supporting women to get their movies on screen is not likely ever to come from men. They would rather put gay males into their dick flicks. The new dick flicks go as far as showing males pissing in stalls , we have to watch them do the little after ’shake’ and see them not washing their hands afterwards. Is this culture??? Just a second while I throw up.

When a so called ‘chick flick’ makes a ton of money, most often they do, it’s termed as ‘a fluke’. Let’s just list a few flukes who either won an Oscar or were nominated for writing.

E.T.
Thelma and Louise
Howard’s End
The Remains of the Day
The Piano
Sleepless in Seattle
Heavenly Creatures
Il Postino
Sense and Sensibility
Wag the Dog
Primary Colors
Erin Brokovich
The Lord of the Rings
My Big Fat Greek Wedding

These are the ‘flukes’ men like to call not profitable, yet they all were!!! Lies! They are flukes all right, because against all odds, somehow they got made.

I am a professional writer and I also dream about writing movies that sell and get made. So far I have written 10 books (in print) 3 screenplays, with 2 more in mind, 2 sitcoms, and the ideas keep coming. Each time I feel the spirit fill me with new work, I look at my professional field, and all the excellent screenwriter women who live and work in Hollywood. They have agents and connections, and yet NOT ONE sold an original screenplay last year (2002) Not once did we break through the male celluloid wall. How can I then dream of selling a property without an agent, without connections, to even have a chance of a snowball in hell?

Then I have compared this dismal situation to what was there 3o years ago. It is the same! In many ways its worse. Back then when we first fought for women’s culture .we really thought our efforts will succeed in time.(we were told over and over again to be patient.) After all women have gained many rights since, but Not on the cultural field. We can have a legal abortion but not a good flick to see with our girlfriends. I am not even asking for good lesbian movies. Just something with some imagination and entertainment value for women.

Its is said that if a woman director gets a hit movie made she will not work for ten years. If a male gets a hit movie made, he will work for ten years more. This is so unfair to woman artists that it chokes me with tears. The male justification is once more :women will see anything. Anything. No need to fear our demands. Chick dollars will be spent every weekend on dick flicks.

Let’s Give Them Bad Blockbuster Weekends

Chick dollars withheld from the box office is LONG overdue. Somehow we never quite believed how bad it is being excluded from our times’ culture, marginalized like a minority, when we are majority. Get it through your head! Women are most of the human beings on earth. We buy most of the books, we read more then men, most of the movie goers are female. And we don’t need a date to catch a flick.

Being culturally marginalized is to accept second rate citizenship. Just because women have been too NICE and go to all the male crap they call movies, dick flicks. We are being punished for our writers and directors having a vagina, having excess to their feelings and liking to entertain thoughts other than killing people as problem solving devise.

How do we do this?

Hollywood depends heavily on their weekend intake on any new release. This is where they want to see their money returned to them. If women don’t go to Dick Flicks they will feel our financial sting. Hollywood respects financial power. Let’s give them Bad Blockbuster Weekends.

The definition for dick flicks is this:

  1. When you see the advertising/promo, do you see mostly males on it and just one female on the poster? Unless the woman is the lead character it’s a Dick flick. Avoid it, the woman is not you, she is just a prop to assure you subliminally that these guys are still heterosexual. She probably has five minutes airtime, tops. All of that as a sex object or grieving for her man. Whichever male character has a girl usually dies in dick flicks.
  2. Rule number two: The savior theme, males saving the world without women. This is the prototype of the dick flick, they get a male star to carry the movie (to bring in the women who are enamored with male stars and please tell me why ), sell it as adventure, but it’s just a lot of hardware stuff, special effects and debris flying through the air. Millions of bullets are fired, never once hitting the dick heroes. Cost tons of money, all the males involved make out with fat checks, it’s a dick fest. Avoid this kind of movie, and if your date wants to see it, let him go alone. You are no longer a cultural whore.
  3. People of color in dick flicks without the women are still just crap. It doesn’t matter if we now replace white dicks with black dicks, it’s still not going to entertain feelings, create an emotional effect, not even good fantasy. Believe me you have eaten this cultural food before, and it left you empty and unappreciated. Boycott it.
  4. War movies. No matter which war it’s about, it’s a dick flick. Glorifying senseless violence and manhood in time of crisis. You have seen this movie thousands of times . Don’t buy that ticket no matter who is the good looking guy in it. It’s against your values as a woman, and you are excluded. They made this movie for males.
  5. Sports movies with all male cast. Dick flick. You know what to do.

Imaging, creating movies, giving communal dreams to the people is a privilege.The people is mostly women. It’s the best work in the world. Pays outrageously well when it pays. Men like it and want to keep it amongst males. We all sit there in the dark experiencing together something where humanity is grappling with some problem, feelings of all kinds, the pangs of love. It’s not only business it’s a commitment to be entertaining and to cater to women who are most of the movie goers.

It’s rare that movie directing falls into a women’s hands, unless she finances it herself and gets it done in Europe. Or she is a famous star and agrees to do a small budget movie which then gets the proverbial ‘fluke’ success and makes a lot of money.

Hollywood argues women are not good enough to write good scripts, yet when they buy a script from a man, it’s women they hire to ‘fix’ it. To do the pages. The same important pages they claim are all that matters to them. These women writers in the backrooms never get their name amongst the credits, and hence they are not paid the same nor respected.

Unless women become conscious of their own cultural demands, us, the female writers and directors and actors will not get hired.You would for ever watch dick flicks in the movies and on the small screen. Rambo clone after Rambo clone . Now a whole generation later, it is time to pay attention how we spend our entertainment dollars. Keep those chick dollars in your pocket on blockbuster weekends.

Women must show their demand that hits Hollywood in the pocketbook. We have to stay home, on big blockbuster weekends nationally (you can do videos). We are not culture whores. We want our own sex to have access to the creative tools of the dream makers. We want our own sex to dream up some entertainment for us. We want our own sex to give us stuff to laugh about, TV sitcoms and movies, breakthroughs in programming. Let women make fun for us, let them bake their excellent cultural feasts, let our sex play and write, direct and produce. With a majority of females in the world, and the majority of movie goers women, demand some better, higher FUN.

Z Budapest, BWH October 2003

(Bored With Hollywood)

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Audio: How the Dianic Wicca University Works

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[podcast]http://wicca.dianic-wicca.com/mp3/bobbie.intro2du.mp3[/podcast]Getting started in the Dianic University

The Dianic Wicca University Online is a place for women of all ages to hone their skills and craft as witches- solitaries, circle priestesses, priestesses -in- training, maidens, mothers, crones, and amazons alike will find spiritual food for thought, activities, lessons, and a world of enchantment. Won’t you join us in sisterhood and self-discovery?

We’ve also made a video to show you how to use the Dianic Wicca Unviersity, making studying online with Z Budapest more vigina friendly.

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2010 Z Budapest Blog. Cigarettes Mix.